NEW  ZEALAND
FOLK * SONG
Mātua Whāngai
Tama Huata c. 1980

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The song of Maori children who were raised by foster parents.



We need our families
To develop, and be strong
Our whanautanga
Is all-important, to our lives
So come on in.

Mātua whāngai, te kōkiri e
Anei te kaupapa, hāpainga e
E rere te huata, hopukia
E rere e te mānuka, tomokia

Te wero o te taiaha!
Te rere o te kōpere!
Te huhuti o te kotiate!
Te ngau o te wahaika!
Te kōkiri!








Helping each other is the challenge.
This is the path to be followed,
When the spear comes flying, grasp it
When the manuka stick
is swung, get inside it

The stab of the taiaha!
the flight of the dart!
The flick of the notched blade!
The bite of the club!
The challenge!

We would like to thank Wi Huata's biographer for publishing these inspiring lyrics.
You can learn the tune from the lovely recording made by the Kahurangi Maori Dance Theatre.


taiaha kōpere kotiate wahaika

An old proverb

This song enlarges on a whakataukī of Tama Huata's family.
"E rere te huata hopukia, e rere te manuka tomokia."
When the huata spear comes flying at you, grasp it;
when the manuka fighting stick is swung, get inside its arc.”

Grasp the opportunity of the moment; be audacious and bold in using your opponents' assets to defend those that you love.

The huata was a spear 6 metres or more in length, used principally in the defence of hill forts. The name was bestowed on Tamihana Huata (1820-1908) by his father Whakaaha. Once, when fighting in a battle, Whakaaha spied a huata flying towards him, and with a reflex action caught in it one hand and then hurled it back at the enemy. His skill and quick-wittedness was immortalized in the name he gave to his son, and the family keep the saying to this day. (Spence)

Whangai

Whāngai is a customary Māori practice whereby a child is brought up by someone other than their birth parents – usually another relative.

Whāngai may be temporary or permanent. A parent who takes on a child is called a matua whāngai, and the child is a tamaiti whāngai.

In the Pakeha custom of adoption, the identity of the birth parents is kept secret from the growing child. But the whangaied child knows both its birth parents and whāngai parents, and parents often gave up children to comply with the custom. 

Reasons for whāngai include:
  • an orphaned child
  • a large family was struggling to support all the children
  • a child of very young parents
  • an illegitimate child
  • a child for people who cannot have children
  • a child for older people whose children have grown up
  • strengthening kinship ties by placing children in different families.
  • taking in a grandchild to pass down tribal traditions and knowledge
  • taking children in so that they can inherit land.

Well-known whāngai parents include:

  • Princess Te Puea Hērangi. She had around 50 whāngai children
  • Sir James Henare. He had six natural children and five whāngai children.

Well-known whāngai children include:

  • Wiremu Rātana, founder of the Rātana Church
  • Inia te Wiata, opera singer
  • Robert Mahuta, land compensation negotiator
  • Billy T. James, much-loved comedian
  • Wira Gardiner, a senior public servant
  • Joline Henry, Silver Ferns netballer.


Tama Huata

Tama Huata, MBA, ONZM, (Ngati Kahungunu, Ngati Porou) is the son of Canon Wi Huata and Ybel Tomoana. Born in 1950, He is a leader in the renaissance of Maori performing arts.

In 1968 he began working in Australia, first in nightclub bands and later in television, eventually becoming production manager for live musical events on TV.

At the same time he was a driving force behind efforts to establish a marae in Sydney, organising several Sydney Maori Festivals as fundraisers .

These experiences enabled him to work out a strategy for developing people's talents. On his return to Heretaunga in 1983, he applied this strategy to the benefit of the young people of Hastings.

"I joined the Kahurangi performing arts straight out of high school, and with tutors like Tama Huata, they brought out of each individual, skills they didn't even know they had.

I believe that, if it wasn't for the days that I spent doing performances with them, I would have turned out very different to the person I am today." - Thomas Henare

With the help of his younger sister Heke and others, he created a Takitimu Trust, Te Wānanga Whare Tāpere o Tākitimu, as a training programme for delinquent youth, with cultural and educational activities that would give them employment opportunities.

It was so sucessful that by the mid 1980s trainees were being referred to the Trust from all sorts of agencies. These were the people whom 'the system' had been unable to deal with, and branded unemployable.

Adopting the principle of Matua Whangai - looking after our own - and combining it with a strong professionalism, Tama formed the Takitimu Performing Arts School and the Kahurangi Maori Dance Theatre.

In 1994 he was awarded a Fulbright Scholarship to study dance theatre at the University of Wisconsin, and in 2005 he was a visiting fellow at Trent Univerity, Toronto. He is currently (in 2012) CEO and senior tutor at Te Wananga Whare Tapere O Takitimu.

Kahurangi


Tama founded Kahurangi, a performing arts group made up of graduates from the School,as a touring group that showcased Maori culture in a dynamic modern way that appealed to audiences accustomed to television glitter and synthetic music.

By 1989 Kahurangi was strong enough to have its own production and admin staff. It is now New Zealand's second largest company of dancers after the government-funded NZ Ballet, and the only professional Maori one. The touring groups travel extensively throughout the world, doing over a thousand shows a year at festivals, schools and embassies.

"Matua Whangai" on record

1989, Magically Maori, Kahurangi Dance and Theatre Group, CD

Credits

Source of lyrics, Biography of Wi Huata

Webpage put onto folksong.org.nz website July 2012,
Our thanks to Te Otinga Hohaia for corrections Feb 2024

Acadoo Writing Service