Mangamahu
Ballads |
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NZ
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Yarns - Mangamahu
I wrote these ballads in Palmerston North between 1979 and 1990. I had just left teaching in Catholic schools as a Marist Brother, and after 20 years of isolation in this big-city monastic teaching lifestyle, I was learning how to live normally again. These songs helped reunite me to my rural Mangamahu community. |
Thompson's
Bus Wet Dag Crutching Blues Super-Man Aunty May |
Postholes
Barb Wire Annie The Eel Puketapu |
Ite
Missa Est My Tractor The Lady Loader-Driver Pillows of the Dead |
E/Em Woke me up this morning E7 Feeling stiff and sore A7/Am Ah, the boss gets us up so early E Start work at half past four (in the morning!) B7 I've been crutching sheep for four days now A7/Am E Still got to crutch four thousand sheep more B7 Ch.I've got green stains all over my shoes A7 B7 E I've got the wet dag crutching blues |
In the 1970s, my brother-in-law Tony Keenan leased hundreds of acres all over
the Manawatu, and ploughed it for wheat, oats, barley, maize, birdseed...
Am I get up in the morning, get out my bed G O Lord, I've got to earn my daily bread Am So I grab me some breakfast, climb into my ute E Am - Down to the paddock I shoot........ to my tractor. There she stands by the side of the field Seven ton of rubber and diesel and steel Seven tons'f muscle, hear that engine roar You can get three hundred horsepower, maybe even more..... ....from my tractor. Chorus F Oo - ee, oo - ar C I've got to drive my tractor so far F Round and round 'til it numbs my brain G Oh Lord! Don't make it rain Am ....... today. |
Tim was working as a shunter at the Milson Yards in Palmerston North in 1980. His boss kept
annoying him by making him continually re-arrange a lot of empty goods wagons (freight cars).
So Tim got rid of all the wagons . . .
C My name's Sam and I'm a shunter; Am Out at Milson I work wonders F C G As I shuffle rakes of wagons to and fro C But lately it's been tragic, Am For despite computer magic F G7 C Those goods won't go where goods-trains used to go! Chorus; F C For they're closing all the country sidings down G C F C Tearing all the tracks out from the ground F What am I going to do? C Am To get these postholes through? D7 G7 C Since they're closing all the country sidings down: "Here's five hundred prefab postholes, For a Mangaweka farmer," I wrote on some empty wagons in the yard. "But they've built the deviation, And closed old 'Weka station, So we took them to Taihape," said the guard. I sent postholes through the gorge, To a fencer at Oringi, But a phone call came from Dannevirke to say: "Well, your wagons have arrived, But we can't find a thing inside! You'd better make a claim for postholes right away!" So I thought I'd try again, With some holes to Bonny Glen, But they only got as far as Marton Yards, Where they sent them on by road, A whole truck and trailer load, Now I've got to pay the double handling charge. Chorus Then a cocky back of Westmere Said "Me postholes never got here" Others turned up cracked and broken: clogged with sand. That's why from Newman to Okoia And up back of Mangahuia, They've gone back to digging postholes out by hand. Chorus |
Postholes Tune
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My thanks to Guy Gibson for allowing me to sing this song about his remarkable mother. She delivered
mail to the settlers in the hills of the upper Mangamahu district from about 1904-1910.
(spoken)Ladies and gentlemen, Here's to the girl who delivers our mail. Here's to BARB-WIRE ANNIE. G D7 There was mud on your oilskins and battered felt hat G As you rode by at dawn on your way down Hale's Track C Forty miles there and forty miles back. D7 G Hard ride for Bill and for Annie D7 G You've brought us our letters, newspapers, so much A7 D7 With a yarn at the gate you have kept us in touch G C When you rode by today on your way to the church D7 G We all sung out "Good on yer, Annie." CHORUS D7 C G So here's to the girl who delivers our mail, D7 G Here's to Barb-wire Annie. D7 Though the track's deep in mud, Though the river's in flood D7 G You can't stop our Barb-wire Annie Now the Ridge Road in winter is wet greasy clay There's mud three feet deep where young Bert bogged the dray And at the Blue Cliff the whole road slips away But you can't stop our Barb-wire Annie. When that new barb-wire fencing they've put up all round Stops you from reaching the high harder ground You just pull out your pliers and 'wang!' go the wires. You can't stop our Barb-wire Annie Chorus And your saddle-bag is marked proudly, 'Royal Mail' But today it protected your lace bridal veil That graced you in style as you walked up the aisle. God bless you, Barb-wire Annie. Chorus (instrumental or 'la-la la') And I must thank the cooks, we've had more than enough Of your wild pork and pumpkin, your trifle, plum duff. But now put the sponge cakes and cream puffs aside And all charge your glasses, a toast to the bride. To our dear Annie Gibson, you'd not be denied Good health to Barb-wire Annie. |
This happened up at Hawkes Bay in 1967 at the start of the duck shooting season.
A D A We were building a mai-mai down at the lake when old Jack speared an eel D A B7 E7 So we lit a fire and with number eight wire,we grilled it for a meal A D A But when the season opened, in our mai-mai all concealed D A E7 A We waited in the chilly dawn, and forgot those slimy eels. CHORUS E7 A With razor teeth they wait beneath the lake-side water weed E7 A With razor teeth they wait beneath the lake-side water weed. Old Jack brought down a duck nearby but his gun-dog stayed at heel, She'd not go fetching from that lake, she'd seen a big black eel. So Jack stripped all his clobber off, "Real mean are made of steel" Jumped in the lake with nothing on, in with that old man eel. He waded waist-deep through the reeds, then lurched and sort of squealed The water writhed, he clutched himself "Damn yellow-bellied eel!" We poured good whisky on his wound, his pain we all could feel AndI buckled up my belt real tight to keep away that eel. The ladies phoned his missus; "Oh poor Jack, how does he feel? Has the doctor fixed his ... 'accident' ... y'know, with the eel?" Said she, "Jack's sort of ringbarked but still has his sex appeal But he's bought a ton of gelignite to blast the lake.for eels |
Sugra was a guest at our house far a few days in September 1990. He fascinated my
15 month old son Rowan with his juggling, and he fascinated me with his lifestyle.
Sugra the juggler, come down from the mountain Sugra the juggler, come down to our park Sugra the juggler, knee-deep in our fountain Juggling up rainbows from morning to dark. He was riding along on his red unicycle When a traffic-cop stopped him with flashing red light. So he started to juggle right there on the roadway And the cop burst out laughing "Hey, mate, you're all right." His hat fi11s with money, though he's not a busker "You can give what y'want to, or take what y'need" He's here to show how he keeps his life in balance As he follows life's rhythms, and lives without greed. Last night in a dream, I was standing by Sugra, being splashed by the waves on a cold rocky shore. The balls started changing, all rearranging, To a mountain, a lake and a green forest floor. Ruapehu's erupting with molten red lava A tree-fern's unfolding new leaves to the sun: And a boy leads the old man to bathe in Lake Taupo One life nearly ending, one life just begun. Yes - the boy leads the old man to bathe in Lake Taupo One cycle un-ending, one song always sung; One cycle un-ending, one song always sung. |
Based on a real agricultural flying partnership. About one year of time elapses between each verse. It sounds nicest when sung unaccompanied. You can make it a solo by leaving out verse 2 and changing "you" to "I"etc in Bill's other verses.
Tracy I lived at Mangamahu helping Dad upon our land He said I'd be a farmer's wife and couldn't understand Why I'd waste time in his workshop with a spanner in my hand Or go talking to that Fletcher pilot-O |